Cannes Day 8: Crew Homebound makes a mark on the carpet, Scarlett Johansson makes directorial debut

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The 78th Cannes Movie Pageant continues to serve cinematic brilliance with a dose of glamour, as Day 8 noticed a mixture of debut appearances, shifting reunions, and style statements that will probably be remembered for years. From Scarlett Johansson’s acclaimed debut as director and purple carpet second with husband Colin Jost to Janhvi Kapoor’s gorgeous debut on the purple carpet, the French Riviera was the hub of each fashion and storytelling.

Scarlett Johansson for Eleanor the Nice

A momentous spotlight of the night got here with Scarlett Johansson’s directorial debut, Eleanor the Nice, which earned a five-minute standing ovation after its world premiere. Talking to an emotional crowd, Scarlett emphasised the movie’s impartial spirit: “Nobody’s doing it for the cash—shock,” she joked, earlier than including, “Everybody who got here collectively for this movie did it as a result of they believed within the story.”

Arriving on the purple carpet in a dreamy Prada robe product of pastel blue chiffon, Scarlett exuded timeless class. The ruched bodice and drop-waist design, paired together with her iconic purple lipstick, struck the proper stability between smooth romanticism and daring sophistication. This was a double debut—on-screen and on the Cannes purple carpet—and he or she didn’t miss a beat on both entrance. Her husband Colin Jost attended together with her.

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Crew Homebound shines on the purple carpet

The Homebound staff lit up the purple carpet not solely with their movie however with their thoughtfully curated fashion. It marked director Neeraj Ghaywan’s second Cannes look—his first being the critically acclaimed Masaan in 2015. Janhvi Kapoor floated down the purple carpet in a rose-toned Tarun Tahiliani customized ensemble. The outfit featured a handwoven actual tissue lehenga and structured corset, with a crushed texture that shimmered below the lights. The uncooked, uncut hem added a deliberate nod to the authenticity of Indian craft, whereas a signature TT drape introduced sculptural fluidity and poise.

Becoming a member of her on the carpet was Ishaan Khatter opted for a deep Bordeaux velvet bandhgala by Gaurav Gupta, paired with a silk wrap shirt and tailor-made trousers. The standout element? Intricate black zardozi Celtic knot embroidery, symbolizing interior energy and everlasting bonds- each parts which have been a refined nod to Homebound.

Co-star Vishal Jethwa commanded consideration in a pointy black energy swimsuit by London-based designer Kaushik Velendra. Jewel-studded shoulder pads elevated the look, whereas a golden dragon neckpiece made a press release. The director, Neeraj Ghaywan had a extra understated apparel as he walked alongside his solid. Karan Johar, the producer of Homebound, added his signature sartorial edge to the combination in a white Manish Malhotra ensemble, proudly standing alongside his staff on the worldwide stage.

Jodie Foster’s in Loewe

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Jodie Foster saved it minimal but significant in a smooth silver satin Loewe robe. With a excessive neckline and smooth draping, the ensemble whispered luxurious. Nevertheless it was the tiny shell attraction sewn subtly into the costume that captured style critics’ consideration—a rebellious nod to punk in an in any other case serene look. Foster as soon as once more proved that class doesn’t must shout to be seen.

Elsa Hosk’s for Vie Privee

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Mannequin Elsa Hosk turned the premiere of Vie Privée into her personal private runway. Her strapless robe by Russian designer Anastasia Zadorina featured an architectural bodice and a hem trimmed with delicate white feathers. The outcome was an arresting visible mix of construction and softness, encapsulating Cannes’ signature mix of avant-garde and style.

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