The Solely Broadway Adaptation Clint Eastwood Ever Directed Was A Flop
Musicals are virtually scientifically engineered to carry your spirits. Plots be damned, you possibly can’t assist however really feel a bit elated after two-plus hours of watching individuals minimize a rug whereas singing about their innermost emotions. It is a elementary precept that allowed Broadway titans like Stephen Sondheim and Andrew Lloyd Webber to reimagine tragic love tales and gothic horror thrillers as crowd-pleasing spectacles about homicide, revenge, and, most terrifying of all, having to take care of a needy, egotistical lead actor. Even once they finish in sorrow and despair, you continue to depart the theater buzzing their catchiest earworms on an endorphin excessive (or, when you’ve solely simply watched “Cats” for the primary time, maybe a distinct type of excessive).
What occurs, then, while you rent the authority on cinematic melancholy that’s twenty first century Clint Eastwood to show your Broadway smash right into a film? You get “Jersey Boys,” probably one of the downbeat and dour musicals ever dedicated to the display. If you happen to ever puzzled whether or not “Mystic River” and even “Million Greenback Child” is likely to be only a tad much less miserable if their characters sang about their feelings in between the moments of anguish, loss, and turmoil, the reply, judging by the outcomes right here, is … not likely. Nonetheless, whereas it is not laborious to understand why “Jersey Boys” was a flop upon its launch in 2014, that very same somberness additionally makes it considered one of a sort within the fashionable film musical panorama.
Eastwood’s Jersey Boys is an anti-Broadway crowd-pleaser
Eastwood’s grounded, somber depiction of Sixties rock ‘n’ roll sensation The 4 Seasons’ speedy ascension to fame and the great (and particularly the dangerous) occasions that adopted is more true to its supply materials than you would possibly suspect. The unique jukebox Broadway musical written by Rick Elice and Marshall Brickman (sure, as within the Oscar-winning “Annie Corridor” co-writer) eschews the concept of being a fantastical portrayal of the band’s story, presenting itself as one thing akin to a reside theater documentary. Consistent with that, the Man With No Identify usually avoids the form of flights of fancy you’d discover in a biopic musical like “Rocketman.” As an alternative, virtually all the songs are diegetic and introduced in a sensible mild (the tip credit apart), whether or not it is the Seasons singing reside in sequences that Eastwood and his trusty cinematographer Tom Stern tone achieved by taking pictures with their typical regular, unfussy protection and subdued black-and-brown colour palette or the group’s music getting used because the soundtrack for montages, lots of which are inclined to concentrate on the extra doleful beats within the band’s story.
What you find yourself with is a film that performs a bit like a bummer model of “That Factor You Do!” … and that is even earlier than the Seasons’ breakout success (because of all-timer pop classics like “Sherry” and “Huge Women Do not Cry”) is sullied by the band’s in-fighting, mob money owed, and familial hardships. However the place Tom Hanks’ musical dramedy a couple of fictional ’60s band sky-rocketing up the Billboard charts largely manages to offset its cutesy nostalgia with extra sobering moments, Eastwood’s relentlessly gritty method clashes with the scenes the place “Jersey Boys” desires to be extra light-hearted and charming. Most folk agree on this level too, as evidenced by the movie’s Rotten Tomatoes scores (51 % from critics, with the viewers rating solely a bit larger at 62 %) and disappointing field workplace turnout ($67 million worldwide in opposition to a $40 million finances).
Nonetheless, with its soulful music, themes of flawed masculinity, and a wistful story in regards to the value that comes with a lifetime spent within the highlight, “Jersey Boys” is actually as private as anything Eastwood has ever directed. Regardless of its missteps, it even succeeds as, primarily, an anti-Broadway crowd-pleaser and that each one too uncommon specimen of a musical that will really depart you feeling extra despondent than you probably did stepping into. (Y’know, if that is your factor.)